Come l’anno scorso, metto qui in assoluto disordine alcune fra le cose migliori ascoltate nel 2024 (non solo jazz e classica, questa volta; e come sempre, non solo dischi usciti negli ultimi dodici mesi).
- Lamasz & Thme, Chiffons d’azur;
- Alan Lamb, Night Passage;
- Gabriel Kahane, Magnificent Bird;
- Crippled Black Phoenix, The Wolf Changes Its Fur But Not Its Nature;
- Yara Asmar, home recordings 2018 – 2021 / synth waltzes & accordion laments (remastered);
- Travis Laplante, The Golden Lock;
- Yes, Close to the Edge;
- Keith Jarrett, The Melody at Night, with You;
- Akropolis Reed Quintet, Pascal Le Boeuf, Christian Euman, Are We Dreaming The Same Dream?;
- Alden Hellmuth, Good Intentions;
- Matthew Shipp, The Data;
- Midwife, No Depression in Heaven;
- Bark Psychosis, Hex;
- Bear vs. Shark, Terrorhawk;
- Bitch Magnet, Umber;
- Fontaines D.C., Skinty Fia;
- This Is The Glasshouse, 867;
- New Model Army, No Rest for the Wicked;
- Brina Luiza, Prece;
- sun electric, Live at Votivkirche;
- Milan W., Leave Another Day;
- Bach, Il clavicembalo ben temperato, András Schiff;
- Brahms, Sinfonia n. 2 op. 73, James Levine, Chicago Symphony Orchestra;
- Soosan Lolovar, Girl;
- Mozart, Ave verum corpus KV 618, Frans Brüggen, Nederlands Kamerkoor, Orchestra of the Eighteenth Century;
- Beethoven, Sonata op. 13 “Patetica”, Robert Zimermann;
- Debussy, La mer, George Szell, Cleveland Orchestra;
- Schubert, Sonata D894, Wilhelm Kempff;
- Casino Versus Japan, Go Hawaii;
- Éliane Radigue, Jouet électronique — Elemental I.
(22/12/24)